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	<updated>2026-05-09T12:31:51Z</updated>
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		<title>John Lavalie: Created page with &quot;{{article | publication = Radio Times | file = 2023-12-02 Radio Times p18-19.jpg | px = 650 | height =  | width =  | date = 2023-12-02 | author = Huw Fullerton  | pages = 18 |...&quot;</title>
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		<updated>2025-01-26T02:33:09Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{article | publication = Radio Times | file = 2023-12-02 Radio Times p18-19.jpg | px = 650 | height =  | width =  | date = 2023-12-02 | author = Huw Fullerton  | pages = 18 |...&amp;quot;&lt;/p&gt;
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Doctor Who is back with a bigger and brighter new Tardis. It debuted last Saturday now RT gets a tour round the Time Lord's new temple&lt;br /&gt;
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DOCTOR WHO DOMINATES the schedules this season, with David Tennant's three anniversary specials (which will be shown on BBC1 on 25 November, 2 and 9 December) swiftly followed by a Christmas adventure introducing new Doctor Ncuti Gatwa.&lt;br /&gt;
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With Russell T Davies back as showrunner, it's all part of a new dawn for the 60-year-old sci-fi series - and this calls for a redesign of the Tardis. Exit the orange, crystalline columns of Jodie Whittaker's model that was used from 2018 to 2022, and enter something whiter, more clinical and, well, bigger. A lot bigger.&lt;br /&gt;
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&amp;quot;It's like a cathedral,&amp;quot; says producer Vicki Delow. &amp;quot;It takes your breath away, both on screen when it first appears, but also when you walk into it. You feel it.&amp;quot;&lt;br /&gt;
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When RT steps aboard at Bad Wolf Studios in Cardiff, it's hard to deny that assessment. This new Tardis interior is on a larger scale than ever before - to film it, the camera operators have to climb a flight of stairs to a raised platform. Apparently, they've even flown drones in there.&lt;br /&gt;
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&amp;quot;We're in [studio] stage six, which is the tallest we have at 50 feet,&amp;quot; says set designer Phil Sims. &amp;quot;We built it as high as we possibly could, though we couldn't go to 50 feet, because we need to make allowances for lights and structure above it.&amp;quot; Originally, it was planned as a giant sphere, although in the end Sims and his team opted for a squatter, doughnut shape, which looks better on screen (and fits under the roof). The new set is also, obviously, bright white - a choice inspired by the original 1963 design by Peter Brachacki, as well as recent alternate Tard-ises that have paid tribute to it.&lt;br /&gt;
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&amp;quot;Russell really wanted it to be white,&amp;quot; producer Phil Collinson says. &amp;quot;There's a starkness to it. It's not the warm, comfortable Tardis that's been around since 2005&amp;quot;&lt;br /&gt;
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The Tardis's standard hexagonal console has also grown in size - each side is now nearly twice the length of the 1963 version and littered with mysterious instruments including a &amp;quot;sonic socket&amp;quot; for the Doctor's screwdriver. There are navigation and engine areas &amp;quot;and the coffee section,&amp;quot; Sims adds. Yes, you can now get a latte from the Tardis.&lt;br /&gt;
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Who said Who couldn't move with the times? Although considering there was a coffee spillage on its screen debut, perhaps it wasn't the best choice of accessory - &amp;quot;It does cost us a fortune to clean this white Tardis!&amp;quot; laughs Collinson.&lt;br /&gt;
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LIGHT DISPLAY&lt;br /&gt;
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Every &amp;quot;roundel&amp;quot; is an individual LED light, the colour of which can be changed. &amp;quot;We can control each light individually,' says producer Phil Collinson. &amp;quot;It can pulse, flash, do Mexican waves, backwards and forwards. We change the colours for different episodes. It's like being in an Ibiza nightclub.&amp;quot;&lt;br /&gt;
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THE TIME ROTOR&lt;br /&gt;
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The central column of the Doctor's ship moves up and down with the opening and closing of white &amp;quot;petals&amp;quot; within a glass tube. Behind the scenes, this is operated manually by one unlucky member of crew. &amp;quot;We attached the top to a pulley,&amp;quot; says designer Phil Sims. &amp;quot;Whoever's our art department assistant at the time has the joy of sitting up there and pulling on the rope.&amp;quot;&lt;br /&gt;
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DOORWAYS TO WHERE?&lt;br /&gt;
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Set over three levels, the new Tardis has internal doors leading to as-yet-unseen areas. &amp;quot;The doors open like the iris of a camera lens,&amp;quot; says Sims. Currently, this is achieved with special effects, but in the future he hopes to build a working version.&lt;br /&gt;
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1963 ORIGINAL&lt;br /&gt;
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Peter Brachacki's design at the BBC's Lime Grove Studios. The six-sided control console and indented walls were already in place, but in order to save money the wall on the right was an enlarged photograph&lt;br /&gt;
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AT THE CONTROLS	&lt;br /&gt;
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Look closely at the new console, and you'll spot a cracked ceramic finish, based on Japanese raku pottery. It's also a callback to the 2005-10 Tardis flown by Christopher Eccleston, and by David Tennant the first time around. &amp;quot;It's something Russell was fond of in his previous incarnation of the Tardis, where there was a cracked patina on the console,&amp;quot; says Sims.	&lt;br /&gt;
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Caption: DOCTOR, DOCTOR David Tennant will hand the keys to the Tardis to Ncuti Gatwa in time for Christmas&lt;br /&gt;
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		<author><name>John Lavalie</name></author>
		
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