Difference between revisions of "Doctor Who and the Convergence of Media"
From The Doctor Who Cuttings Archive
Jump to navigationJump to searchJohn Lavalie (talk | contribs) (Created page with "{{article | publication = Convergence | file = | px = | height = | width = | date = 2008-01-01 | display date = v. 14, no. 1 (2008) | author = Neil Perryman | pages = 21-39 ...") |
John Lavalie (talk | contribs) |
||
| Line 16: | Line 16: | ||
| morePublications = | | morePublications = | ||
| moreDates = | | moreDates = | ||
| + | | abstract = The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technologies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and "fake" metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at a post-watershed audience) and The Sarah Jane Smith Adventures (for 11-15 year olds), and what was once regarded as an embarrassment to the Corporation now spans the media landscape as a multi-format colossus. This article critically explores many of the transmedia strategies the BBC have employed in re-launching this property. Has it resulted in a richer and more entertaining experience, or is it merely an economic exercise in merchandising and branding? Can these mediums really work together to create a coherent and satisfying whole? | ||
| text = | | text = | ||
}} | }} | ||
Latest revision as of 01:40, 21 November 2013
No image available.
[edit]
- Publication: Convergence
- Date: v. 14, no. 1 (2008)
- Author: Neil Perryman
- Page: 21-39
- Language: English
- Abstract: The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technologies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and "fake" metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at a post-watershed audience) and The Sarah Jane Smith Adventures (for 11-15 year olds), and what was once regarded as an embarrassment to the Corporation now spans the media landscape as a multi-format colossus. This article critically explores many of the transmedia strategies the BBC have employed in re-launching this property. Has it resulted in a richer and more entertaining experience, or is it merely an economic exercise in merchandising and branding? Can these mediums really work together to create a coherent and satisfying whole?
Disclaimer: These citations are created on-the-fly using primitive parsing techniques. You should double-check all citations. Send feedback to whovian@cuttingsarchive.org
- APA 6th ed.: Perryman, Neil (v. 14, no. 1 (2008)). Doctor Who and the Convergence of Media. Convergence p. 21-39.
- MLA 7th ed.: Perryman, Neil. "Doctor Who and the Convergence of Media." Convergence [add city] v. 14, no. 1 (2008), 21-39. Print.
- Chicago 15th ed.: Perryman, Neil. "Doctor Who and the Convergence of Media." Convergence, edition, sec., v. 14, no. 1 (2008)
- Turabian: Perryman, Neil. "Doctor Who and the Convergence of Media." Convergence, v. 14, no. 1 (2008), section, 21-39 edition.
- Wikipedia (this article): <ref>{{cite news| title=Doctor Who and the Convergence of Media | url=http://cuttingsarchive.org/index.php/Doctor_Who_and_the_Convergence_of_Media | work=Convergence | pages=21-39 | date=v. 14, no. 1 (2008) | via=Doctor Who Cuttings Archive | accessdate=9 November 2024 }}</ref>
- Wikipedia (this page): <ref>{{cite web | title=Doctor Who and the Convergence of Media | url=http://cuttingsarchive.org/index.php/Doctor_Who_and_the_Convergence_of_Media | work=Doctor Who Cuttings Archive | accessdate=9 November 2024}}</ref>
