An intimate tête-à-Tate
- Publication: The Times
- Date: 2006-12-23
- Author: Tim Teeman
- Page: The Knowledge, p. 44
- Language: English
What drives Britain's best comedienne? And why is she with Dr Who? Tim Teeman finds what really bovvers Catherine Tate
Can this really be Catherine Tate? For some daft reason I was expecting the scraped-back hair and sulky sharpness of Lauren. Tate's most famous comic creation, whose "Am I bovvered?" has passed indecently quickly into the pantheon of vintage comic catchphrases. But no. Tate is the perfect tabula rasa for Lauren and all her other inspired grotesques precisely because she looks and behaves nothing like them: in person she has a lustrous bob, smoky eyes, and a soft Cadbury's-Caramel-bunny voice.
Beached in front of the TV on Christmas Day, you% see Tate in another new guise as Donna, a flustered bride, in a seasonal Doctor Who. Fans might recall that she featured very briefly in the final episode of the last series. "She doesn't want to be with the Doctor." explains Tate. "She just wants to get married." But first she must face Sarah Parish's spidery villain, the Empress of Racnoss. The special, set in winter, was filmed at the height of summer Tate in a full white wedding dress and the other actors 'in scarves and bobble hats —not pleasant but such fun".
Tate wasn't a huge fan of Doctor Who as a girl 'I was more into The Kids from Fame," she says laughing. 'I think Rose (Billie Piper's character, now departed) is the reason so many girls are into it now." Tate's daughter Erin, 4, is a fan — "she loves the Cybermen" — and visited her mother during filming.
Is Doctor Who a deliberate attempt to widen Tate's repertoire? There were reports that she was leasing the BBC, that the third season of her sketch show was the last 'There is a tendency to bracket people.' says Tate "I mix things up and do different stuff or I get bored." So is this a farewell to her sketch show? "I never said that. I want to do it as long as there is an appetite for it, but I instinctively feel that three series is enough. I don't want it to drag on. where you have a very old schoolgirl trotting out. 'Am I bovvered?'"
Tate genuinely considers questions, speaks plainly. and is as funny off the screen — albeit In a much quieter way—as she is on it And she is absolutely focused and very protective of her creations. "I'm probably a pain in the arse to work with, but I care about the (sketch) show. I'm always ready for a fight I don't need to be. but I am" She laughs. "It can make for rather a tense atmosphere sometimes. I want everything done five minutes ago. I'll ask, 'Why can't we have that crane shot?' without realising the ceiling is only 12ft high. I hope I know my limitations. but. generally. I do think I am right all the time." She smiles and laughs.
Tate didn't think the sketch show. which began in 2004, would become a hit or that the catchphrases would enter the lexicon. "It's nuts. When you see 'bovvered' going into the Oxford English Dictionary, or used in headlines, or hear it around you — you go 'Oh, it's not just me and my immediate circle of friends'. It's really. really weird, and really, really amazing. I'm also a bit detached from it It's not like I walk on the street thinking. 'I'm the person who says "Am I bovvered?"' When I finish a show I don't think about it Ike in bed watching DVDs of Sex and the City'
To this odd mix stir in a history of shyness. 'I think performing for me was a way of a shy child deflecting attention away from herself, says Tate. 'If I could dress up and pretend to be something else..." She gestures as if to grab a thought floating out of her reach. "I like making people laugh. when I started realising I could be funny at school it was a huge relief. I thought people wouldn't try to find out who I was. It was like saying. 'Don't look at me. but look at me while I'm not being me."
Tate would perform her comic creations for her mother. "I think I needed to be successful in something because it's only ever a relief if things go right for me," she says precisely. "If you go back to all the ten-year-olds you knew and you had to pick the one who would be well-known for entertaining, it wouldn't have been me. I was the red-faced ginger child who stammered when she spoke because she was so embarrassed when people spoke to her.'
Youth theatre, "a building block for personality", got her used to people looking at her. "Being able to make people laugh immediately made me feel confident and other people think I was confident" She was "a bit of a handful" as a teenager. "1 was always on the right side of the lights, but I was cheeky. At 13 I was difficult at home. belligerent. I had a solid year of that teenage phase of 'Where are you going?'. 'Out', 'Who are you going with?', 'No one. Then, suddenly. I thought 'I'll be nice now'."
Tate left school at 18 before taking her A levels. She went to drama college, worked abroad for a year. then for the National Theatre, the RSC, did some telly. But nothing took off. She was a temp and recalls stuff. It's a time-serving apprenticeship. You can't learn without doing it" In 2000 she was nominated for a Perrier Award as part of Lee Mack's New Bits. then she won a breakthrough role in Dawn French's BBC sitcom Wild West.
Now 38, Tate claims that she is glad she wasn't successful in her twenties. "I wouldn't have been ready for it." she says. 'I didn't have the confidence. I was 34 when the (sketch) show came out. I knew who I was. I'd had a child. If it had happened earlier I might be Jaded now. whereas I really think it's incredible." Did she ever get depressed? "No." she says. "But I'm not by nature a very cheery person — I'm most definitely 'the glass is half empty'. I had post-natal depression." She also suffered a form-' of depression in the run-up to the birth which her GP called "smiling sickness". This surprised Tate.
"because I thought I wanted a baby. I think I'm quite controlling. but in pregnancy you've no control because there's something inside which you can't stop growing." In time she felt better. "Working was how I dealt with it."
Is she scared of her depression aiming back? "If I had another baby." It was rumoured she was planning to have another. child next year. She smiles. "If it happens it happens. There's no firm plan."
Tate draws on her life for her characters: the new mum ("I wouldn't go anywhere if it meant waking my child up") and Geordie Georgie the charity fundraiser. inspired by a woman "wearing a Tibetan hat who knocked at my door and dearly thought I was not giving as much as she thought I should". Tate loves to "lose" herself in these characters. Lauren isn't based on anyone specific but those sulky schoolgirls "who walk among us". Foul-mouthed gran's only echo in reality is the way my godmother sits — legs splayed right out".
But now gran and Lauren are no more, what next? "I've read I'm going to ITV for five million." she says drily. "Well, yes, I am, it's to present the news, but I want my name above the titles. I've read that I'm leaving the BBC and leaving comedy. No. The BBC gave me my career, they took an enormous punt on me and I am very grateful. I hope to have a home there for future projects." But Tate is dipping her feet in other waters. She is writing a drama for the BBC's Decades season, which will feature one drama set in each of the past 40 years. She is also starring in an ITV drama The Bad Mothers' Handbook. She would like to do more films (after starring in this year's Scenes of a Sexual Nature), a play, "and, pray to God, the Christmas No 1".
Tate is famous and wealthy, but she prefers to live as normally as possible with her partner Twig Clark and Erin in West London, while mischievously mulling over the possibility of causing a "fuss" on the Tube by breaking into a volley of "Am I bovvered"s. Those tough years in her twenties have left their mark "I've spent longer in temp work than working in TV," she says. Her new life is "wildly exciting, but you have to temper it because you have to function". This dear-sightedness — about where she has come from and where she is now — is the key to Catherine Tate, and the reason why fame and success must taste particularly sweet.
Doctor Who, BBC One, Christmas Day, 7pm
Caption: Veil of woe: Catherine Tate stars with David Tennant in The Runaway Bride, a special Christmas episode of Doctor Who
Caption: Hot and bovvered: Catherine Tate as sulky Lauren, her star creation
A COMEDY WHO'S WHO
Douglas Adams the author of The Hitchhiker's Guide to the Galaxy) co-wrote City of Death (1979), and friend John Clesse played an art gallery visitor.
Alexei Sayle played a DJ who entertains the dead on planet Nectos, in Revelation of the Daleks (1985) — inspired by Evelyn Waugh's The Loved One.
Faith Brown took on the role of Flea, the Cryon leader, in Attack of the Cybermen (1985), though the part was written for Prince Andrew's former girlfriend, Koo Stark.
Ken Dodd put clown his tickling stick to play the Tollmaster in Delta and the Bannermen (1987).
Gareth Hale and Norman Pace played shopkeepers Len and Harvey in 1989's Survival.
Cast as the result of a fan letter. Peter Kay turned nasty as the alien Abzorbaloff in this year's Love & Monsters.
Disclaimer: These citations are created on-the-fly using primitive parsing techniques. You should double-check all citations. Send feedback to whovian@cuttingsarchive.org
- APA 6th ed.: Teeman, Tim (2006-12-23). An intimate tête-à-Tate. The Times p. The Knowledge, p. 44.
- MLA 7th ed.: Teeman, Tim. "An intimate tête-à-Tate." The Times [add city] 2006-12-23, The Knowledge, p. 44. Print.
- Chicago 15th ed.: Teeman, Tim. "An intimate tête-à-Tate." The Times, edition, sec., 2006-12-23
- Turabian: Teeman, Tim. "An intimate tête-à-Tate." The Times, 2006-12-23, section, The Knowledge, p. 44 edition.
- Wikipedia (this article): <ref>{{cite news| title=An intimate tête-à-Tate | url=http://cuttingsarchive.org/index.php/An_intimate_t%C3%AAte-%C3%A0-Tate | work=The Times | pages=The Knowledge, p. 44 | date=2006-12-23 | via=Doctor Who Cuttings Archive | accessdate=22 November 2024 }}</ref>
- Wikipedia (this page): <ref>{{cite web | title=An intimate tête-à-Tate | url=http://cuttingsarchive.org/index.php/An_intimate_t%C3%AAte-%C3%A0-Tate | work=Doctor Who Cuttings Archive | accessdate=22 November 2024}}</ref>
